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http://dspace.udla.edu.ec/handle/33000/7719| Tipo de material : | bachelorThesis |
| Título : | Producción musical del tema Quédate del artista Fernando Villacrés |
| Autor : | Castillo Castillo, José Antonio |
| Tutor : | Rodríguez Recalde, Lizbeth Estefanía |
| Palabras clave : | COMPOSICIÓN MUSICAL;KIZOMBA |
| Fecha de publicación : | 2017 |
| Editorial : | Quito: Universidad de las Américas, 2017 |
| Citación : | Castillo Castillo, J. A. (2017). Producción musical del tema Quédate del artista Fernando Villacrés (Tesis de pregrado). Universidad de las Américas, Quito. |
| Resumen : | El sencillo Quédate, del artista Fernando Villacres, se desarrolla en parte por la consolidación del proyecto de titulación del productor José Castillo y por la idea del artista de realizar su primer sencillo discográfico… |
| Descripción : | The simple Quédate, by the artist Fernando Villacres, is developed in part by the consolidation of the title project of the producer José Castillo and by the idea of the artist to make his first simple. Through the technical and practical application of the knowledge and skills obtained during the course of the race, Is achieved the realization a theme that meets the professional standards of the Ecuadorian market. The beginning of this work is given, through the investigation of the origins of the genre, its influences, evolution in surroundings and time, and the way in which exponents and producers of this genre have become known throughout the world. As a major part of the development of the single, and according to the schedule, we have worked on three different processes. Pre-production, a stage where it is sought to put into context, by means of analysis the presented proposal, relating it to the reference, in loudness, concept and emotional objective, which is intended to be achieved, as well as with other exponents of this musical genre. The production, stage where you enter the recording studio and different microphone techniques are applied to achieve more of the sound, an added value, which is recorded as a stamp of the artist in a recording material. Finally, post-production takes place, where a number of processes are performed, for which a multitrack session must pass, after recording. The mixture and its development, with the treatment and processing of each instrument, put in context, according to the sonorous plane of the genre, the original idea raised. Finally the mastering leads to the achievement of the sound product. The importance of developing a project of this nature is based on the professional ability of a producer, to capture in a song, the main idea of the artist, and to be able to transmit to the listener. |
| URI : | http://dspace.udla.edu.ec/handle/33000/7719 |
| Aparece en las colecciones: | Tecnología Superior en Grabación y Producción Musical |
Ficheros en este ítem:
| Fichero | Descripción | Tamaño | Formato | |
|---|---|---|---|---|
| UDLA-EC-TTSGPM-2017-31.pdf | 3,94 MB | Adobe PDF | Visualizar/Abrir |
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