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dc.contributor.advisorSoto Soto, Georgina Edith-
dc.creatorFruci Gómez, José Antonio-
dc.date.accessioned2015-10-16T19:45:31Z-
dc.date.available2015-10-16T19:45:31Z-
dc.date.issued2013-
dc.identifier.citationFruci Gómez, J. A. (2013). Cortometraje en stop motion de una adaptación de la leyenda ecuatoriana: "Cantuña" (Tesis de pregrado). Universidad de las Américas, Quito.es_ES
dc.identifier.otherUDLA-EC-TMPA-2013-11-
dc.identifier.urihttp://dspace.udla.edu.ec/handle/33000/3743-
dc.descriptionThe purpose of the present work is to increase the intangible culture of the Quito’s youth by recreating the Ecuadorian legend “Cantuña” made as a short film in Stop Motion. Wood dolls will be designed and constructed, and every one of them will have personality and unique characteristics. The characters will interact between them in diverse scenarios made by hand and in the proper scale. The short film will highlight the qualities of the Ecuadorian intangible culture. The animation consists in narrating the different events using photos of each one of the micro movements of the characters and scenarios, where the succession of images will be animated with digital software, highlighting the illumination, the color palette, etc. using the knowledge acquired during this period of academic training. The film length is about 5 or 6 minutes. The final product will be the production of a video that recreates the Ecuadorian legend “Cantuña” and it will be presented in DVD, while the thesis will present this topics: in the First chapter the culture (definition, history, the loss of values in the young); in the Second chapter the legends, in a special manner the Ecuadorian ones, and specifically the “Atrio de San Francisco” o “Cantuña”. In the Third chapter will talk about the audiovisual production, its stages and how it is moving forward in our country. In the Fourth chapter is presented a study about the short film, its history, types and the Ecuadorian situation. Finally in the Fifth chapter is analyzed the animation in general, types and the local situation. The sixth chapter talks about the Stop Motion technique and its development in Ecuador; Chapter seven will explain the types of scenarios and characters chosen for the film and how are constructed for the making of the Stop Motion. Chapters eight, nine and ten will treat about the preproduction, production and postproduction of the film.en
dc.description.abstractCon este trabajo de titulación, que consiste en la recreación de la leyenda ecuatoriana “Cantuña” realizada como un cortometraje en Stop Motion, quiero dar un aporte a la cultura intangible de los jóvenes quiteños espectadores de este proyecto…es_ES
dc.format.extent145 p.es_ES
dc.language.isospaes_ES
dc.publisherQuito: Universidad de las Américas, 2013es_ES
dc.rightsopenAccesses_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/ec/es_ES
dc.subjectCORTOMETRAJEes_ES
dc.subjectLEYENDA ECUATORIANAes_ES
dc.subjectCULTURA ECUATORIANAes_ES
dc.titleCortometraje en Stop Motion de una adaptación de la Leyenda Ecuatoriana: “Cantuñaes_ES
dc.typebachelorThesises_ES
Aparece en las colecciones: Licenciatura en Multimedia y Producción Audiovisual

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